Equally at home in opera, concert, and new works, Ms. Ramm is recognized for her vivid interpretations of both classical and contemporary repertoire. Recent operatic highlights include First Witch in Dido’s Ghost and Dido and Aeneas with Philharmonia Baroque Orchestra, Third Lady in The Magic Flute with Livermore Valley Opera, Lapák in The Cunning Little Vixen, Prince Orlofsky in Die Fledermaus with Pocket Opera and Dinah in Trouble in Tahiti with Mercury Theater.

A sought-after concert soloist, Ms. Ramm’s recent engagements include alto soloist in Duruflé’s Requiem with SF City Chorus and Britten’s Rejoice in the Lamb with San Francisco Choral Society, and Beethoven’s Ninth Symphony with Silicon Valley Philharmonic. She has also collaborated with Sacramento Baroque Soloists and UC Alumni Chorus at Cal Performances’ Hertz Hall. Renowned for her vivid portrayals of pants roles, Ms. Ramm has received acclaim for Anybodys in West Side Story with Opera San José and the Rooster and Blue Jay in The Cunning Little Vixen with West Edge Opera. Her work in contemporary opera includes appearances in Lisa Bielawa’s Vireo and the live piano-vocal premiere of Centuries in the Hours at The Stone.

Ms. Ramm is featured on the Grammy-nominated recording of Ligeti’s Lux Aeterna and the cast album of Evan Mack and Joshua McGuire’s Lucinda y las Flores de la Nochebuena. She is a National Finalist in the Women in Opera Division, the Ernst Bacon Memorial Award and Art Song Division honors with The American Prize, and a grant recipient of Opera America’s Career Blueprints for Singers.